Artist Lee Carter invites us for a peek into his disorderly workspace and shares his reasoning behind the chaos fueling his concentration in creating Judge Dredd art.
In the heart of a bustling British home, a unique workspace thrives. This is the domain of Lee Carter, a versatile artist who has made a name for himself in the realms of comic art, video games, movies, toy design, and private painted commissions. For the past 13 years, Carter has been a dedicated freelancer, working from the comfort of his own abode.
Carter's home studio is a treasure trove of creativity, filled with figures from 2000 AD, Marvel, DC, Star Wars, and more, as well as his favourite comics, artbooks, and art materials. His trusty companion, a loyal dog, has been a constant presence during these years, often hogging his chair while he works.
The studio setup is a harmonious blend of tradition and technology. A 21-inch Wacom Cintiq serves as Carter's digital canvas, while a drafting table caters to his traditional art needs. An improvised pen holder and a rubber-skinned mannequin for lighting reference complete the ensemble.
Carter's work area is kept cluttered, a deliberate move to help him concentrate. However, the clutter is far from chaotic, reflecting the artist's meticulous approach to his craft.
Over the years, Carter's studio has undergone subtle yet significant changes. The arrival of a Millennium Falcon model, a 50th birthday gift, necessitated the relocation of his drafting table. The adoption of new tools and software, such as Photoshop, Maya, and ZBrush, has also marked the evolution of his studio setup.
Carter's portfolio has gradually refined to showcase his diverse skills and attract desired clients. His work can be seen in the pages of 2000 AD and Judge Dredd Megazine, where he has been a fixture for around 18 years. Notable works include his first 2000 AD cover featuring Rogue Trooper and the last issues of Jupiter's Legacy: Finale.
Carter's artistic journey doesn't stop at print. He occasionally takes on private commissions, working on pieces using watercolor and gouache. One such project is a work-in-progress piece for Absolute Batman.
In the digital realm, Carter has ventured into 3D modelling, creating a 3D model of Ben Willsher's Lawmaster design for reference when drawing a Judge Dredd strip in a 2000 AD Christmas special.
Carter's professional success is evident in his recent endeavours. He launched a successful Kickstarter campaign for a 100-page artbook called 337-2, collecting more of his art. He has also received recognition from industry heavyweights, such as a message from Guillermo del Toro about buying a pair of paintings he had already sold.
As Carter continues to create and innovate, his home studio remains a testament to his passion and dedication. For more detailed insights into his freelance portfolio and studio history, visitors are encouraged to explore his official website, social media channels, or design platforms where he might share his work journey and studio evolution.
- Lee Carter, a versatile artist, works in various creative realms, including comic art, video games, movies, toy design, and private painted commissions.
- Carter's home studio is filled with figures from 2000 AD, Marvel, DC, Star Wars, and more, reflecting his wide range of inspiration.
- His studio setup combines tradition and technology, with a 21-inch Wacom Cintiq and a drafting table serving as his digital and traditional art spaces.
- Carter's cluttered workspace, though it may seem chaotic, is intentional and mirrors his meticulous approach to his craft.
- Over the years, Carter's studio has evolved with the arrival of new tools and software like Photoshop, Maya, and ZBrush, and the relocation of his drafting table due to a Millennium Falcon model.
- Carter's work can be found in the pages of 2000 AD and Judge Dredd Megazine, where he has been a consistent contributor for around 18 years.
- Notable works in Carter's portfolio include his first 2000 AD cover featuring Rogue Trooper and the last issues of Jupiter's Legacy: Finale.
- In addition to print work, Carter occasionally takes on private commissions, employing watercolor and gouache on some projects, like a work-in-progress piece for Absolute Batman.
- In the digital domain, Carter has dabbled in 3D modelling, creating a 3D model of Ben Willsher's Lawmaster design for reference.
- Carter's success is evident in his recent projects, such as the successful Kickstarter campaign for a 100-page artbook, 337-2, and recognition from industry leaders like Guillermo del Toro.
- Carter's passion and dedication to his art are evident in his work, and visitors can explore his freelance portfolio, studio history, and creative journey on his official website, social media channels, or design platforms.
